Chas Bowie wrote a really tight insightful essay for the show’s mini-catalogue entitled Total Money Makeover. Pacific Northwest College of Art’s UNTITLED magazine has just re-published the essay here. A choice snippet:

Monuments invariably testify to their own physicality as much as they do to the memory of the subjects they commemorate. Mandiberg’s installation of investment guides emblazoned with the logos of fallen banks is no different. The get-rich-quick volumes that comprise FDIC Insured were purchased from the dollar bins of Manhattan’s Strand bookstore, where they served as pitiful markers of their own failure. For every bank that the government bailed out or brokered into sale, Mandiberg laser-cut the fallen institution’s logo on the covers of tomes such as Nothing Down, The Business Bible, and Dress Like a Million. At more than 220 titles and counting, Mandiberg’s library of financial failure is built upon the promise of buying even when you have no money, trading when you have nothing to trade and profiting when you have nothing to provide.

The full essay is here

The Frankfurt Book Fair covers Collaborative Futures.

Whether this form represents a challenge or indeed a threat to publishing companies is viewed differently. The booksprinters themselves are convinced of it, at any rate. “What we are doing is just one of many forms of writing and distribution that threaten the publishing houses”, according to a confident Michael Mandiberg. Publishing consultant Ehrhardt F. Heinold holds a similar view. He can certainly imagine that the growing self-publishing culture will one day make the classic publishing company superfluous. “In the USA, self-publishing is already a big issue”, as Heinold has observed.

The Japanese magazine Pen covers Collaborative Futures, the IMA Design Village, and Berlin in general

The German newspaper Taz.de has covered our Collaborative Futures booksprint. (English translation here) There has apparently been a lot of buzz about the book during Transmediale. I have received a lot of emails about it, mostly from people who think I am still there and want to pick up copies.

The US release will be March 4th at Eyebeam. Pre-order a copy now.

I tweeted this just now, but I feel like it deserves a bit more context. This came out of an email with Adam Hyde (his coinage!) trying to convince him or one of our collaborators in Berlin to find and scan a print version of this article about our collaborative book project. I have found that the committees reviewing my materials for tenure not only frown on all forms of online publication, they also frown on printed copies of electronic versions of documents even if they also appear in print. A scan of the meatspace dead-tree newspaper is viewed as significantly more “legitimate” than a screenshot of the same text from the newspaper’s website. They are Dead-Tree-Huggers.

OMG LOL in The New Yorker’s 1000 Words. Posted by Macy Halford

James Wagner and Barry Hoggard came to see my installation last Monday. James has written up his impressions. James says:

Mandiberg goes where no laser cutter has ever gone before. Some of the work physically and dramatically distinguishes important newly-established contemporary technologies from their aging or defunct antecedents (many of which could once have been described as cutting edge themselves), The result is a visual dialogue charged with the passage of time and composed in the empty spaces we see “written” in and on various kinds of reference books.

One piece, a work in progress (surprisingly, lasers take their time), is titled “We have never had a year of peace”. When finished it will comprise the three volumes of the “Encyclopedia of the Third World”, lying on their spines next to each other, open at a random page in the middle where the artist has deeply burned the name and year of every war fought by this peace-loving republic since 1890.

Another body of work consists of a wall display of cast-off volumes describing how to make money. Mandiberg has “whittled” with a laser into their hard front covers to describe the logos of, according to the artist, “all of the failed banks of the Great Recession”.

Not directly related to the re-worked dictionaries, encyclopedias, phone directories, or investment monographs are some breathtaking laser-cut drawings of the security patterns ordinarily found printed inside those familiar small mailing envelopes used by banks and similar institutions.

More here (tx James!)

My plugins got a historical shout out in Nicholas Knouf’s statement about his new plugin.

The Graffit Fail Video is making the rounds.  Wooster Collective blogged it, and it has dispersed from there.  My favorite is this post by the Denver Egotist, a blog *for* advertising agencies warning their peers “Take it as gospel: the next time you think about wheatpasting your slogan on a popular graffiti wall…don’t.”  ASDLabs covered it, as did FACT

I just discovered this old Boing Boing post on the Bright Bike

1. Permanent State of Emergency

2. New Videos

3. Shows and talks

4. OMG I’m Twittering: http://twitter.com/mandiberg

5. Histoires à l’ère numérique

—

1. Permanent State of Emergency

April 7 – 28: Eyebeam’s new window gallery in a Permanent State of Emergency

Date: April 7 – 28; Opening Reception: April 17, 6 – 8PM
Location: Eyebeam: 540 W. 21st, NYC
Cost: Free
http://eyebeam.org/events/permanent-state-of-emergency
http://www.facebook.com/event.php?eid=65632172284

Eyebeam is pleased to announce the opening of State of Emergency, the inaugural exhibition of the Window Gallery, our new rotating gallery space programmed by Eyebeam fellows and residents and viewable on West 21st Street. State of Emergency, a deliberately provocative projection series organized and co-curated by Sherry Millner and Ernest Larsen, includes work by Eyebeam senior fellow Michael Mandiberg, Mary Kelly, Allan Sekula, Walid Raad, Leslie Thornton, Gregory Sholette, Louis Hock, Marty Lucas, Sally Stein, Martha Rosler, Ligorano/Reese, Yvonne Rainer, James T. Hong, and Yin-Ju Chen, as well as Millner and Larsen themselves.

State of Emergency began several years ago as a silent shout-out against the ever-deepening devastation of democracy, a group response to the manufactured "state of emergency" in which we live. This updated version reinterprets that theme to include caustic responses to the ever-deepening economic collapse.

This inaugural exhibition in the Window Gallery is an initiative of senior fellow Michael Mandiberg.

2. Watch my new videos!

They are short, and sweet, and have nice soundtracks…

HOWTO Burn A Dollar Bill, HOWTO Burn the Oxford English Dictionary, and HowMuchItCosts.us

3. Upcoming and Recent Shows and Talks

Last last week we were in Chicago for the latest installment of the Eyebeam Roadshow. We gave standing room only lectures and workshops at Columbia College, UIC, and UI-Urbanan Champaign. EPIC WIN!

In the month before that Marisa Olson and I spoke at Moore College of Art in Philadelphia, I gave a remote lecture at the Inclusiva.net conference in Buenos Aires, and spoke remotely on a panel at Transmediale. I spoke at Columbia’s Studio X on a panel about urban space and the commons, and am slated to talk at Pratt on the 25th of April (time TBA). Talk Talk Talk.

The Postmasters show came down looking pretty. I should have some nice video documentation shortly.

4. OMG I’m Twittering

For real, first Facebook, now Twitter. Oh, the gateway drugs.

http://twitter.com/mandiberg

5. Histoires à l’ère numérique

I am currently showing at plug.in in Basel: Histoires à l’ère numérique – works from the collection of Espace Multimédia Gantner
04/03/09 to 05/31/09

Julien Alma / Laurent Hart, Lewis Baltz, Nathalie Bookchin, Martin Le Chevallier, VALIE EXPORT, Gita Hashemi, Felix Stephan Huber / Philip Pocock, George Legrady, Michael Mandiberg, Tony Oursler, Suzanne Treister.

Around the year 2000, at the same time that [plug.in] was founded, across the border in Bourogne, France, another pioneer institution for media art was founded: The Espace Multimédia Gantner. Since then, it provides exhibitions of electronic art, events on media art, electronic music and digital culture, a library and a collection of media art works.

As a collaboration between Espace Gantner and [plug.in], the exhibition „Histoires à l’ère numérique“ presents 11 works from the collection of Espace Multimédia Gantner, selected by Annette Schindler and Raffael Dörig from [plug.in].

Hot Tip: Look out for interviews on rocketboom and coolhuntimg in the next few weeks.

Special Bonus: Call for translators for FM.

We are making progress on translations of Digital Foundations into 10 active languages. Spanish is near complete, Polish is just started. Everything else is somewhere in between. For more on how to get involved, see this page. For more information, help, or communication, get in touch with Jennifer Dopazo (jndopazo _at_ gmail _dot_ com).