Tag Archives: Press

State of Emergency on Friday, plus some…

I know, I should write these more often, so there is less to digest in each one. Much activity of late:

1. Permanent State of Emergency

2. New Videos

3. Shows and talks

4. OMG I’m Twittering: http://twitter.com/mandiberg

5. Histoires à l’ère numérique

1. Permanent State of Emergency

soe_news

April 7 – 28: Eyebeam’s new window gallery in a Permanent State of Emergency

Date: April 7 – 28; Opening Reception: April 17, 6 – 8PM
Location: Eyebeam: 540 W. 21st, NYC
Cost: Free
http://eyebeam.org/events/permanent-state-of-emergency
http://www.facebook.com/event.php?eid=65632172284

Eyebeam is pleased to announce the opening of State of Emergency, the inaugural exhibition of the Window Gallery, our new rotating gallery space programmed by Eyebeam fellows and residents and viewable on West 21st Street. State of Emergency, a deliberately provocative projection series organized and co-curated by Sherry Millner and Ernest Larsen, includes work by Eyebeam senior fellow Michael Mandiberg, Mary Kelly, Allan Sekula, Walid Raad, Leslie Thornton, Gregory Sholette, Louis Hock, Marty Lucas, Sally Stein, Martha Rosler, Ligorano/Reese, Yvonne Rainer, James T. Hong, and Yin-Ju Chen, as well as Millner and Larsen themselves.

State of Emergency began several years ago as a silent shout-out against the ever-deepening devastation of democracy, a group response to the manufactured “state of emergency” in which we live. This updated version reinterprets that theme to include caustic responses to the ever-deepening economic collapse.

This inaugural exhibition in the Window Gallery is an initiative of senior fellow Michael Mandiberg.

2. Watch my new videos!

They are short, and sweet, and have nice soundtracks…

HOWTO Burn the Oxford English Dictionary

HOWTO Burn a Dollar Bill

HowMuchItCosts.us

HOWTO Burn A Dollar Bill, HOWTO Burn the Oxford English Dictionary, and HowMuchItCosts.us

 

3. Upcoming and Recent Shows and Talks

Last last week we were in Chicago for the latest installment of the Eyebeam Roadshow. We gave standing room only lectures and workshops at Columbia College, UIC, and UI-Urbanan Champaign. EPIC WIN!

In the month before that Marisa Olson and I spoke at Moore College of Art in Philadelphia, I gave a remote lecture at the Inclusiva.net conference in Buenos Aires, and spoke remotely on a panel at Transmediale. I spoke at Columbia’s Studio X on a panel about urban space and the commons, and am slated to talk at Pratt on the 25th of April (time TBA). Talk Talk Talk.

The Postmasters show came down looking pretty. I should have some nice video documentation shortly.

4. OMG I’m Twittering

OMG I'm Twittering

For real, first Facebook, now Twitter. Oh, the gateway drugs.

http://twitter.com/mandiberg

5. Histoires à l’ère numérique

I am currently showing at plug.in in Basel: Histoires à l’ère numérique – works from the collection of Espace Multimédia Gantner
04/03/09 to 05/31/09

Julien Alma / Laurent Hart, Lewis Baltz, Nathalie Bookchin, Martin Le Chevallier, VALIE EXPORT, Gita Hashemi, Felix Stephan Huber / Philip Pocock, George Legrady, Michael Mandiberg, Tony Oursler, Suzanne Treister.

Around the year 2000, at the same time that [plug.in] was founded, across the border in Bourogne, France, another pioneer institution for media art was founded: The Espace Multimédia Gantner. Since then, it provides exhibitions of electronic art, events on media art, electronic music and digital culture, a library and a collection of media art works.

As a collaboration between Espace Gantner and [plug.in], the exhibition „Histoires à l’ère numérique“ presents 11 works from the collection of Espace Multimédia Gantner, selected by Annette Schindler and Raffael Dörig from [plug.in].

Hot Tip: Look out for interviews on rocketboom and coolhuntimg in the next few weeks.

Special Bonus: Call for translators for FM.

We are making progress on translations of Digital Foundations into 10 active languages. Spanish is near complete, Polish is just started. Everything else is somewhere in between. For more on how to get involved, see this page. For more information, help, or communication, get in touch with Jennifer Dopazo (jndopazo _at_ gmail _dot_ com).

 

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Ping Report: HOWTO CC gets some action

O’Reilly Radar and Boing Boing picked up on the HOWTO CC post, which echoed through the blogs.  Some of of the louder echos are: Robin Good’s reposting, which includes ironic stock photographs (something I’ve been meaning to do!)

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Eyebeam Announces new Fellows and Residents

Anyone who has followed this blog obviously knows that I am still working at Eyebeam, which means I was awarded a Senior Fellowship.  It started some time ago, but Eyebeam is making a celebration out of it for the Senior Fellows and the incoming Residents.

Eyebeam awards more than $175,000 in stipends to 10 artists working at the intersection of art and technology. The artists will be honored during an invitation-only reception and presentation.

6:00PM, March 26, 2009
RSVP here
Eyebeam, 540 W. 21st St. (btw 10th and 11th Aves.)

New York City, March 11, 2009-Eyebeam is pleased to announce the recipients of its 2009 Senior Fellowships and Winter/Spring Residencies, who will be honored during a reception at 6:00PM, March 26. Stipends totaling nearly $175,000, as well as 24/7 access to Eyebeam’s state-of-the-art new media design, digital research, and fabrication studios have been awarded to 10 artists to support performance, experimental film, wearable technologies, open culture, and sustainable art.

“Eyebeam is really periscopic in terms of spotting interdisciplinary talent,” said Martin Duus, Eyebeam’s director of strategy and development. “The program is unmatched in the degree of support it provides to artists and creative thinkers exploring the impact of technology on contemporary culture,” he continued. “The 200 or so alumni are ample evidence that the program continues to be a launching pad for many successful careers in the art world and beyond.”

The unique, invitation-only reception will offer an entry point into Eyebeam’s unparalleled, highly competitive residency and fellowship programs, as well as a chance to tour the labs, meet and speak with the artists, and learn more about their work and areas of focus.

The event will take the form of short presentations complemented by viewing stations displaying elements of the artists’ past and current projects. Speakers will include Executive Director Amanda McDonald Crowley and Alexander Galloway, Eyebeam alum.

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Ping Report

The Postmasters Show on

Alarm
ArtSlant

Bright Bike on:

Trends Update
Rocketboom
DVICE
Gizmodo
Gizmodo.br
Engadget.es
Hilavitkutin
Core 77

Cycleroad
BikeCommuters
Dooby Brain

Digital Foundations on:

blographos
Soulsoup
The Current Buzz

I FFFound out that one of the cover designs ended up on FFFound

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“the future is not what it used to be” on ArtSlant

art slant

Yaelle Amir writes about “the future is not what it used to be” on ArtSlant:

Several of the artists have elected to shed light on the internet’s negative affects by way of nostalgia, as they highlight what it has ultimately replaced. This approach is most clearly exemplified by Kristin Lucas’ colorful wax sculptures of obsolete technologies, as well as Michael Mandiberg’s laser-cut paper dictionary and daily newspapers, which have been rendered unreadable as a metaphor for their online alternatives.

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Flash Art on AfterSherrieLevine.com

They kinda get a few things off, but its still pretty cool that Raimar Stange wrote about ASL.com in Flash Art in the context of appropriation

The American artist Michael Mandiberg also relies on the Internet as a medium, for example, the Internet Mandiberg Shop, which sells items owned by the artist. Through his site (Mandiberg.com) the artist logically focuses this principle of acquisition on works of art, for example on Sherrie Levine’s series of photographs “After Walker Evans,” which Mandiberg posted on the Internet as free downloads at AfterSherrieLevine. com. So unlike traditional online art auction houses, Mandiberg continually exploits the opportunities the Internet offers to art (acquisition). As well as offering non-hierarchical access to all, and free access as well, both the artist and his medium negate any claim to authorship and originality. Instead, an unrequested genealogy of networked users becomes part of the aesthetic master plan. The chain extends from Evans to Levine, and from there to Mandiberg himself, and finally on to the art lover who downloads the image. Particularly in this work, the tension between fascination and contempt is clearly present, as Mandiberg appears fascinated by the opportunities the Internet gives for emancipation and freedom, but also clearly sets himself apart from the profit-oriented uses of this medium that exist, as demonstrated by auction houses, for example.

This one came in on the google alert. I always wonder why writers never contact me when they write about my work. It would avoid little errors like calling Shop Mandiberg “Internet Mandiberg Shop.” Though to be fair, this was translated from German, so it could be a translation issue.

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