Tag Archives: Digital Foundations

Digital Foundations: An Intro to Media Arts with the Adobe Creative Suite is officially in print. Amazon has switched their Pre-Order status to In Stock!

Digital Foundations (http://digital-foundations.net/) takes the formal principles and exercises of the Bauhaus and uses them to teach hands on design software exercises. These are supplemented with historical visual examples from the public domain and contemporary creative commons licensed work. As Media Arts professors my co-author xtine burrough and I were tired of design software books that left out aesthetics, and history.  Or worse: gave terrible examples complete with author’s vacation photographs, drop shadows, and the watercolor filter!

We are thrilled to have the book in print… with a Creative Commons license!  This is a first for AIGA Design Press, New Riders, and Peachpit, and the result of 9 months of negotiation. The whole book was written on a wiki (http://wiki.digital-foundations.net) and that is all available for use under a CC license.

We are reaping the fruit of that license already: February 6-8 Adam Hyde and his FLOSSmanuals.net crew are going to come to Eyebeam in NYC to translate the book from Adobe to FLOSS applications.

I was sent my advance copy last week, and it is gorgeous.  The design came out better than we thought.

More press coverage over students and professors trying to find alternatives to exorbitantly priced textbooks.  Ours will be a standard $50.  Thankfully not in the $150-$200 range that many “proper” textbooks hit.  From Ars Technica:

In 2006, Rice experimented with a wiki for his Introduction to Political Science class. In addition to online articles, the wiki links to books at Project Gutenberg for older texts. This kept the students’ reading list to below $40, an important consideration when tuition seems to go up every year. Students could also collaborate, posting class notes and helping to develop the course.

Update: R. Preston McAfee speaks about this on On The Media.   Great interview.

Lessig writes on this major ruling.

In non-technical terms, the Court has held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work. When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.

Full post from Lessig.org here

NYTimes reports on textbook piracy. Textbooks are being scanned and torrented on The Pirate Bay, et all.  Scanning the entirety of a text book seems like a lot of work, but I guess it pays off:

Time flies, however, if you’re having a good time plotting righteous revenge, and students seem angrier than ever before about the price of textbooks. More students are choosing used books over new; sales of a new edition plunge as soon as used copies are available, in the semester following introduction; and publishers raise prices and shorten intervals between revisions to try to recoup the loss of revenue — and the demand for used books goes up all the more.

So the Napster moment is coming for print publishers? I think they have a certain fear of this.  I think there is a willingness to try new things, but the problems is locking them down with DRM doesn’t work, and doesn’t make anyone happy.  I think this has a lot to do with why we were given a Creative Common license for Digital Foundations

Harper Collins has analyzed the data, and concluded that their one month free access to Neil Gaiman’s American Gods had direct and measurable increase on sales.  They were only able to measure it among independent booksellers, as there was an alternate Gaiman promotion going on at the big box bookstores:

 The Browse Inside Full Access promotion of American Gods drove 85 thousand visitors to our site to view 3.8 Million pages of the book (an average of 46 pages per person). On average, visitors spent over 15 minutes reading the book.

The Indies [ie. independent booksellers -- Neil] are the only sales channel where we have confidence that incremental sales were driven by this promotion. In the Bookscan data reported for Independents we see a marked increase in weekly sales across all of Neil’s books, not just American Gods during the time of the contest and promotion. Following the promotion, sales returned to pre-promotion levels.

Gaiman’s Journal for full post

Kottke reports on an author & publisher in dispute over Google Print.

To that end, she asked her publisher, Simon & Schuster, to put her book up on Google Print so it could be found, and they refused. Now they’re suing Google over Google Print, claiming copyright infringement. Meghann is not too happy with this development.

It is amazing to see the publishers *not* get it.  Every study shows that Google Print and Amazon’s Search Withing The Book increase sales.  And they benefit long tail authors.

Full Story

Its only in Canada for the moment, but MiniBookExpo is a service to get books to bloggers for review.   Something we have thought about too.

 

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Digital Foundations has shown up on the Pearson website.  Pearson is the parent company of Peachpit, which is the parent division of New Riders, which publishes the AIGA Design Press.  Its a mouthful.

Oh, yeah, we picked a cover!