I have short hair. For reals. This is the first good photo of it. I also have glasses now. I feel simultaneously older, and also very young: the last time I had hair like this I was 13.
Though mom has responded:
the last time your hair was short was post-mohawk, senior yr at CG
your graduation pix are evidence….
mom
I gave a lecture on August 8th at Dorkbot PDX entitled FAIL, WIN!, FTW?. It is a summary of my recent work experimenting with open licensing on physical objects. I explore what has worked, and what hasn’t, and some of the lessons I have learned.
Marisa Olson also spoke; her lecture is here
So I found it. On the top deck. It is the first time I’ve ridden the ferry since it went up. The publicity office at school gave me my own mounted copy… to put up in my office!!???! (yikes)
February 28 – April 4, 2009, Postmasters Gallery
“the future is not what is used to be”
Opening: saturday, february 28th 6-8 pm
“the future is not what is used to be” brings together artists engaged in the Internet shaped culture. Through drawings, photographs, sculpture, video, and online projects they explore social interaction in a networked world, reflection in the times of speed, new communication tools and smart technologies affecting cultural and sociopolitical reality, sustainable strategies for contemporary life, connectivity and dis-connect, digital/analog divide, instantaneity and obsolescence, the web as the largest image depository ever, and new forms of appropriation, means of production, and modes of political engagement.
What we do today shapes our tomorrows.
Kevin Bewertsdorf conducts Google searches for images that he then orders printed onto variety of objects employing online services like walgreens.com. These remotely made “Promotional Objects” transcend banality of its origins as private found imagery: from infinite web space onto a limited product, the unwitting subjects are made physical once again, staring at you across time and space.
Charles Broskoski’s “Films” reverse the culture of image overload. On his site, six well known films (Pulp Fiction, Terminator 2 and When Harry Met Sally among them) play continuously on a fixed daily schedule. There is a catch: the screen is black save only for the subtitles of the dialog; an absurd comfort of knowing that the movies are always there to serve as a catalyst for visual memory.
http://www.supercentral.org/9/
Marc Horowitz found an analog way to connect with his fellow twitterers: “for the next 100 people that add me on twitter ( twitter.com/ineedtostopsoon ) I’ll send you a small drawing.” The 100 drawings on view will be mailed out at the end of the show. In addition every afternoon Horowitz will broadcast “AnHourADay.me” – a livestream video and chat talkshow with scheduled field trips, interviews, concerts, covert meetings, cooking instruction, comedians, reviews, round tables, celebrity guests, LA artist studio visits, road trips, and more
http://www.ineedtostopsoon.com
http://www.flickr.com/photos/marchorowitz/sets/72157607123055883/
Kenneth Tin-Kin Hung has been called “the John Heartfield of the digital era” His collages and animations composed entirely of imagery appropriated from the web deliver a biting political satire. New series -“In God We Trust” – presents global and domestic challenges facing the new Obama administration with the savior president cast as different deities (Jesus Christ, Muhammad, Krishna, prophet Abraham, Yoruba Orisha Trickster God Elegua/Eshu, Buddha, and Guadalupe)
http://www.111111111111111111111111111111111111111111111111111111111111.com/
Kristin Lucas pays hommage to the ever-replacable technological marvels: maclassic, a 25 years old icon of personal computing, and other nearly forgotten hardware objects are cast in colored wax as beautiful yet perishable candles
http://www169.pair.com/klucas/archive/
Michael Mandiberg’s altered encyclopedias, dictionaries, and newspapers, words incised into them with a laser cutter, highlight the loosing battle of printmedia at a time of rapid online delivery and the never ending newness of information. Everyday a fresh copy of The New York Times with the words “old news” cut onto it will be delivered to the gallery, a stack accumulating over the course of the exhibition.
Eva and Franco Mattes (0100101110101101.org) inject new synthetic life into art long gone. Their avatars in a virtual world Second Life re-enact seminal performance works from the seventies. Gilbert and George’s “The Singing Sculpture” and Marina Abramovic and Ulay’s “Imponderabilia” are staged for a very different audience.
http://www.0100101110101101.org/
Joe McKay finds the ghosts of Google Street View van and Mapjack car. His photographs recreate these stealth vehicles from partial reflections in store windows in San Francisco.
http://homepage.mac.com/joester5/art/
JooYoun Paek’s inflatable objects are smart appliances for urban survival. A bicycle cover made from garbage bags provides inconspicuous “blend-in” protection for a city cyclist, and a self-sustainable chair inflated by walking offers its user an independence from the urban infrastructure.
Sharing and communal nature and of online engagement has lead to formation of surfing clubs: group blogging sites with fast-paced conceptual exchange based on treatment and analysis of online material. Marcin Ramocki & Paul Slocum (with Spiritsurfers) will present “Where is it?,” a short video based on the blog posts of Spiritsurfers.
http://ramocki.net/surfing-clubs.html
*The title of this show is a quote from Paul Valery
Postmasters Gallery located at 459 west 19th Street between 9 and 10 Avenues is open Tuesday through Saturday 11 – 6 pm.
2001 - 2012 Michael Mandiberg
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