ASPECT v. 15, “Influence and Reference” includes video documentation of AfterSherrieLevine.com. The original project is from 2001, the video documentation was made in 2009. As ASPECT is a DVD publication they use the audio commentary tracks for a critical analysis of the works. I was very fortunate: Marita Sturken gave an awesome audio commentary.
Chas Bowie wrote a really tight insightful essay for the show’s mini-catalogue entitled Total Money Makeover. Pacific Northwest College of Art’s UNTITLED magazine has just re-published the essay here. A choice snippet:
Monuments invariably testify to their own physicality as much as they do to the memory of the subjects they commemorate. Mandiberg’s installation of investment guides emblazoned with the logos of fallen banks is no different. The get-rich-quick volumes that comprise FDIC Insured were purchased from the dollar bins of Manhattan’s Strand bookstore, where they served as pitiful markers of their own failure. For every bank that the government bailed out or brokered into sale, Mandiberg laser-cut the fallen institution’s logo on the covers of tomes such as Nothing Down, The Business Bible, and Dress Like a Million. At more than 220 titles and counting, Mandiberg’s library of financial failure is built upon the promise of buying even when you have no money, trading when you have nothing to trade and profiting when you have nothing to provide.
The Frankfurt Book Fair covers Collaborative Futures.
Whether this form represents a challenge or indeed a threat to publishing companies is viewed differently. The booksprinters themselves are convinced of it, at any rate. “What we are doing is just one of many forms of writing and distribution that threaten the publishing houses”, according to a confident Michael Mandiberg. Publishing consultant Ehrhardt F. Heinold holds a similar view. He can certainly imagine that the growing self-publishing culture will one day make the classic publishing company superfluous. “In the USA, self-publishing is already a big issue”, as Heinold has observed.
The Japanese magazine Pen covers Collaborative Futures, the IMA Design Village, and Berlin in general
The German newspaper Taz.de has covered our Collaborative Futures booksprint. (English translation here) There has apparently been a lot of buzz about the book during Transmediale. I have received a lot of emails about it, mostly from people who think I am still there and want to pick up copies.
The US release will be March 4th at Eyebeam. Pre-order a copy now.
Academic institutions clinging to print media as arbiter of tenure, disregarding electronic forms are… “Dead-Tree-Huggers”
I tweeted this just now, but I feel like it deserves a bit more context. This came out of an email with Adam Hyde (his coinage!) trying to convince him or one of our collaborators in Berlin to find and scan a print version of this article about our collaborative book project. I have found that the committees reviewing my materials for tenure not only frown on all forms of online publication, they also frown on printed copies of electronic versions of documents even if they also appear in print. A scan of the meatspace dead-tree newspaper is viewed as significantly more “legitimate” than a screenshot of the same text from the newspaper’s website. They are Dead-Tree-Huggers.
OMG LOL in The New Yorker’s 1000 Words. Posted by Macy Halford
This book is critically important for the arts. Far too few artists are sophisticated enough to be aware of the stealthily growing problem at hand: Corporate, cookie-cutter tools—and their manuals—that standardize and cramp creativity threaten to become the greatest shapers of late 20th & 21st century art, just as architecture’s greatest influence this past century has unfortunately been neither a renowned school of architecture, nor even a great architect, but the catalog of standardized options: door frames, windows, and other prefab parts, from which 99 percent of structures are now built. Artists will remain stuck with old patterns and limited options, unless we create viable open source alternatives and brilliant interventions like this book! John S. Johnson Chairman of the Pacific Foundation Founder of the Screenwriters Colony, The Filmmakers Collaborative and Eyebeam, Art + Technology center This is how I would describe the experience of reading Digital Foundations: I have learned to speak, say Swahili, because I’m hanging out with a lot of Somalians. It takes me a few years maybe, but by now I’m pretty good at it. Then I come across this book, “How to speak Swahili” that goes over all the basics. And I’m like, whoa I’m glad I don’t have to learn Swahili all over again, this shit looks confusing, but this book makes it look so easy! (big sigh of relief) Then I find some vocab I never even knew! That will come in handy… Xan Young architect, Aedas LA Xan Young, a friend and architect
This is old news that slipped through the cracks, but No Longer Empty has been reviewd in Flash Art, the Wall Street Journal, Metro New York, and Culturemob.
James Wagner and Barry Hoggard came to see my installation last Monday. James has written up his impressions. James says:
Mandiberg goes where no laser cutter has ever gone before. Some of the work physically and dramatically distinguishes important newly-established contemporary technologies from their aging or defunct antecedents (many of which could once have been described as cutting edge themselves), The result is a visual dialogue charged with the passage of time and composed in the empty spaces we see “written” in and on various kinds of reference books.
One piece, a work in progress (surprisingly, lasers take their time), is titled “We have never had a year of peace”. When finished it will comprise the three volumes of the “Encyclopedia of the Third World”, lying on their spines next to each other, open at a random page in the middle where the artist has deeply burned the name and year of every war fought by this peace-loving republic since 1890.
Another body of work consists of a wall display of cast-off volumes describing how to make money. Mandiberg has “whittled” with a laser into their hard front covers to describe the logos of, according to the artist, “all of the failed banks of the Great Recession”.
Not directly related to the re-worked dictionaries, encyclopedias, phone directories, or investment monographs are some breathtaking laser-cut drawings of the security patterns ordinarily found printed inside those familiar small mailing envelopes used by banks and similar institutions.
More here (tx James!)
Digital Foundations has been given a glowing review on The Tech Static and has appeared on Google Books
My plugins got a historical shout out in Nicholas Knouf’s statement about his new plugin.
The Graffit Fail Video is making the rounds. Wooster Collective blogged it, and it has dispersed from there. My favorite is this post by the Denver Egotist, a blog *for* advertising agencies warning their peers “Take it as gospel: the next time you think about wheatpasting your slogan on a popular graffiti wall…don’t.” ASDLabs covered it, as did FACT
I just discovered this old Boing Boing post on the Bright Bike
2001 - 2012 Michael Mandiberg
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